New light on renowned photo
Güncelleme Tarihi:
Reuters
Oluşturulma Tarihi: Kasım 13, 2008 00:00
LONDON - It is one of the most famous yet controversial war photographs of all time. Now an exhibition in London of photographer Robert Capa's work sheds new light on his picture of a Spanish Civil War militiaman at the moment he is shot dead.
"The Falling Soldier" picture taken on the Cordoba front in 1936 shows the white-shirted militiaman reeling backwards, his arm flung out as he drops his rifle. It brought instant fame to the Hungarian-born Capa. But over the years, questions have been raised over its veracity, with some suggesting it was staged. Capa himself gave few clues about the actual circumstances in which it was taken.
The exhibition at the Barbican Centre, called "This is War -- Robert Capa at Work", gathers all the known images taken by Capa that day in September 1936 and by his companion Gerda Taro.
The collection was curated by Capa biographer Richard Whelan, who died last year. Whelan had set out to answer the sceptics about "The Falling Soldier," Kate Bush, Head of Galleries for the Barbican, said. "He found a lot more negatives of this particular moment. He unearthed more material that has helped conceptualize the falling soldier image."
War correspondents
Whether or not the picture was posed was notably raised by Phillip Knightley in his 1975 book on war correspondents "The First Casualty". He quoted a reporter, O.D. Gallagher, who said Capa had told him it was staged when they shared a hotel room in Spain. Whelan believed that account was false. The captions of magazines which ran the picture at the time stated the incident occurred during a Republican assault, first in the French magazine Vu in September 1936 then in U.S. magazine Life in July 1937.
"Robert Capa's camera catches a Spanish soldier the instant he is dropped by a bullet in his head in front of Cordoba," Life said. The truth may lie somewhere in between, it seems. The 40 frames were gathered from negatives from cut-up contact sheets. They show a group of militiamen, including the later victim, on a hill near Cerro Muriano lining up for the camera, leaping over a gully, and taking aim with their rifles.
The exhibition at the Barbican Centre, called "This is War -- Robert Capa at Work", gathers all the known images taken by Capa that day in September 1936 and by his companion Gerda Taro.
The collection was curated by Capa biographer Richard Whelan, who died last year. Whelan had set out to answer the sceptics about "The Falling Soldier," Kate Bush, Head of Galleries for the Barbican, said. "He found a lot more negatives of this particular moment. He unearthed more material that has helped conceptualize the falling soldier image."
War correspondents
Whether or not the picture was posed was notably raised by Phillip Knightley in his 1975 book on war correspondents "The First Casualty". He quoted a reporter, O.D. Gallagher, who said Capa had told him it was staged when they shared a hotel room in Spain. Whelan believed that account was false. The captions of magazines which ran the picture at the time stated the incident occurred during a Republican assault, first in the French magazine Vu in September 1936 then in U.S. magazine Life in July 1937.
"Robert Capa's camera catches a Spanish soldier the instant he is dropped by a bullet in his head in front of Cordoba," Life said. The truth may lie somewhere in between, it seems. The 40 frames were gathered from negatives from cut-up contact sheets. They show a group of militiamen, including the later victim, on a hill near Cerro Muriano lining up for the camera, leaping over a gully, and taking aim with their rifles.